Fossils can tell us what animals living in the distant past looked like. Over the centuries, palaeontologists have made incredible strides in reconstructing extinct life forms, helped along by cumulative experience, technological advances, and a steadily increasing body of rare but truly exceptionally preserved fossils. But reconstructing their behaviour – surely that is all just speculative? In Locked in Time, palaeontologist and science communicator Dean R. Lomax, with the able help of palaeoartist Bob Nicholls, presents fifty of the most exceptional fossils that preserve evidence of past behaviour: from pregnant plesiosaurs to a pterosaur pierced by a predatory fish. I was eagerly awaiting this book from the moment it was announced, but I was still caught off-guard by some of the astonishing fossil discoveries featured here.
When it comes to modern palaeoartists, Mark Witton has become a leading light in my opinion. Next to bringing a background as a professional palaeontologist to his artwork, he also wrote The Palaeoartist’s Handbook, which is a unique resource for this field as far as I can tell. Who could be better suited to produce a homage and sequel to one of the most iconic palaeoart books of all times: Knight’s Life through the Ages?
Communicating the complexities and abstractions of scientific findings is not easy. Anyone who has ever slogged through yet another dense paper or muddled presentation will acknowledge this. Our universe, it seems, cares not for the human quest of understanding it. One of the things, then, that makes popular science books such a treat is that they infuse scientific findings and speculation with a certain lyricism and good storytelling. This is why we flock to authors such as Nick Lane, Richard Dawkins, Richard Fortey, and many others besides. This is why Richard Feynman and Carl Sagan remain household names decades after their death. The latter’s Pale Blue Dot segment still gives me goosebumps. With Evolutions: Fifteen Myths That Explain Our World, science historian Oren Harman boldly turns the concept on its head: rather than bringing poetic flair to a pop-science book, he brings scientific flair to an epic poem.