In preparation for Andy Secher’s new book Travels with Trilobites I decided to first reach back in time to read Richard Fortey’s 1999 book Trilobite! as a warm-up exercise. Why? For no other reason than that Fortey’s autobiography A Curious Boy impressed me so much that I bought several of his earlier books and I need an excuse to read them. This, then, is the first of a two-part dive into the world of that most enigmatic extinct creature: the trilobite.
It is tempting to call animal domestication humanity’s oldest and longest-running experiment, but professor of palaeobiology Marcelo R. Sánchez-Villagra would beg to differ. It is worth opening with a quote from The Process of Animal Domestication to set the tone: “domestication is actually pretty poor as experiments go; there are too many variables involved with little control, and no records of how things started” (p. 206). The excellent structure prevents it from becoming an overwhelming infodump, making this a valuable synthesis of data across a large number of disciplines that will interest a wide range of researchers.
The recent loss of famous entomologist and brilliant mind Edward O. Wilson shook me. In an attempt to find some solace I turned to Richard Rhodes’s recent biography, published only a month before. I already had this lined up for review and was looking forward to it, but this must be the saddest possible reason to prioritise reading a book. Fortunately, I found a warm and respectfully written biography that, as the title suggests, focuses foremost on the scientific achievements of Wilson.
You would think that science and monsters are strange bedfellows. And yet, there are plenty of science geeks, myself included, who get a good giggle out of pondering the science behind mythical beings and worlds. Clearly, somebody at the Royal Society of Chemistry has a similar sense of humour, for they have just published Vampirology. Here, chemist and science communicator Kathryn Harkup trains a scientific lens on the fanged fiend—not so much to ask whether vampires do or do not exist, but whether they could exist given our scientific understanding today.
Charismatic as big cats might be, their origins and evolutionary history are still not fully understood. In a mind-bogglingly beautiful marriage of art and science, On the Prowl provides a current overview of big cat evolution that will have many a book lover purring with pleasure.
In his previous book, Beyond Words, ecologist Carl Safina convinced his readers of the rich inner lives of animals. Just like we do, they have thoughts, feelings, and emotions. But the similarities do not stop there. Becoming Wild focuses on animal culture, the social knowledge that is transmitted between individuals and generations through sharing and learning. The more we look, the more animals seem less different from us—or we from them. On top of that, Safina puts forward several eye-opening and previously-overlooked implications of animal culture.
The Scottish wildcat is one of Britain’s most threatened wild mammals. Legend and lore tell of a fierce animal capable of taking down a man if cornered. Once common, only a small remnant population survives in the Highlands of Scotland and now faces the unlikely threat of genetic dilution by hybridisation. Tracking the Highland Tiger sees nature writer Marianne Taylor go in search of this mysterious cat. But it quickly becomes apparent that the book’s title can be interpreted on several levels.
In popular discourse, the theory of evolution has become a victim of its own success, reduced to sound-bites such as “survival of the fittest”. Biologists will of course quickly point out that this is an oversimplification, though philosopher Daniel S. Milo takes things a few steps further. Good Enough is a thought-provoking critique of the dominance of adaptationist explanations. He argues that, while natural selection is important, it is not the only, possibly not even the default mechanism, in evolution. No, Milo claims, the mediocre also survive and thrive.
“Why, of all the species that have ever existed, have only us humans reached this unparalleled level of social organisation?” Sounds familiar? I indeed opened my review of E.O. Wilson’s recent book Genesis: On the Deep Origin of Societies with almost these exact words. Where that book (quite literally) fell a bit short of the intended mark, biologist Mark W. Moffett here delivers a sprawling big history book that considers almost the same question. Perhaps this should not come as a surprise, for Wilson has been Moffett’s mentor.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.