When it comes to modern palaeoartists, Mark Witton has become a leading light in my opinion. Next to bringing a background as a professional palaeontologist to his artwork, he also wrote The Palaeoartist’s Handbook, which is a unique resource for this field as far as I can tell. Who could be better suited to produce a homage and sequel to one of the most iconic palaeoart books of all times: Knight’s Life through the Ages?
To figure out how old a tree is, all you have to do is count its rings, and some truly ancient trees grace the pages of this book. But, as tree-ring researcher Valerie Trouet shows, that is the least fascinating thing you can derive from wood. Revealing the inner workings of the academic field formally known as dendrochronology, Tree Story is an immersive jaunt through archaeology, palaeoclimatology, and environmental history. A beautifully written and designed book, it highlights the importance and usefulness of tree rings in reconstructing past climate and linking it to human history.
What is better than archaeology? How about space archaeology. More properly known as remote sensing by satellite, the use of satellite imagery has set the field or archaeology alight. And professor of anthropology Sarah Parcak is one of its most enthusiastic torch-bearers. In a book that overflows with wonder, honesty, and hope, she takes the reader on a grand tour of remote sensing, showing how it is transforming this discipline.
Underground spaces exert a strong pull on the imagination of most people, although for some this morphs into a fascination bordering on the obsessive. American author Will Hunt is one such person, part of a worldwide community of urban explorers who infiltrate into “the city’s obscure layers”. Though this encompasses more than underground spaces, they are a big part of it, and this book is Hunt’s story of how he fell in love with them. It is one of two big books published only five months apart on the subterranean realm, and I previously reviewed Robert Macfarlane’s Underland: A Deep Time Journey. Here I will turn my attention to Underground.
These three tasks, so says nature writer Robert Macfarlane, signify our relationship with the world beneath our feet, both across time and across cultures. Underland is his lyrical exploration of underground spaces where people have sought shelter from warfare or hidden valuable treasures, are extracting minerals in mines or knowledge in research facilities, or are looking to dispose of waste. It is one of two big books published only five months apart on the subterranean realm, the other being Will Hunt’s Underground: A Human History of the Worlds Beneath Our Feet which I will be reviewing next. But first, Underland.
“Why, of all the species that have ever existed, have only us humans reached this unparalleled level of social organisation?” Sounds familiar? I indeed opened my review of E.O. Wilson’s recent book Genesis: On the Deep Origin of Societies with almost these exact words. Where that book (quite literally) fell a bit short of the intended mark, biologist Mark W. Moffett here delivers a sprawling big history book that considers almost the same question. Perhaps this should not come as a surprise, for Wilson has been Moffett’s mentor.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
When a history book leaves you reeling, you know that it has done its job properly. Climate Change and the Health of Nations is a grand synthesis of environmental history, charting the fate of civilizations and the links between climatic changes and the health of people. It is also a book that almost wasn’t.
Given that dinosaurs are no longer around, everything you think you know about what they look like comes from illustrations, models, movies, and merchandise. But how much of this is actually accurate, and how much of it is rather geared towards appealing to our sensibilities? Mark Witton is a man with a mission: to elevate the genre of palaeoartistry to one depicting scientifically accurate renditions, based on informed speculation and careful study of fossils and anatomy. Rather than a book that shows you how to draw a dinosaur, The Palaeoartist’s Handbook is a fantastically useful primer for both aficionados and budding artists into what actually can and should go into making good palaeoart.
History books tend to portray the transition of humans as hunter-gatherers to farmers – and with it the rise of cities, states and what we think of as civilization at large – as one of progress and improvement. But with Against the Grain: A Deep History of the Earliest States, political scientist and anthropologist James C. Scott challenges this narrative. That our switch to an existence as sedentary farmers impacted our health is something I was familiar with from palaeopathological findings, see for example Ungar’s Evolution’s Bite: A Story of Teeth, Diet, and Human Origins or Hassett’s Built on Bones: 15,000 Years of Urban Life and Death. But Scott tackles this subject from many angles, summarising accumulating archaeological and historical evidence to provide a fine counter-narrative.