Book review – The Misinformation Age: How False Beliefs Spread

“A lie can travel halfway around the world while the truth is putting on its shoes”. This oft-misattributed quote highlights a persistent problem in our world. Why do false ideas spread so easily? Sure, blame people’s ignorance or stupidity, but philosophers Cailin O’Connor and James Owen Weatherall write that the problem is far more insidious. Through a combination of case studies and modelling work, they convincingly argue that the same social dynamics by which truth spreads are inherently vulnerable to exploitation. But first, some vegetable lamb.

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Book review – Nonsense on Stilts: How to Tell Science from Bunk (Second Edition)

In a time of fake news and alternative facts, being able to separate the proverbial scientific wheat from the pseudoscientific chaff is vitally important. But seeing the wide acceptance of a lot of dubious ideas, critical thinking does not come easily. So, how, then, do you tell science from bunk? Updating his 2010 book Nonsense on Stilts, evolutionary biologist and philosopher Massimo Pigliucci once again attacks this problem from many sides. Going far beyond cheap potshots at pseudoscience, I found a book that takes an equally serious look at the more insidious phenomena of think tanks and postmodernism, with a healthy side-serving of history of science. The result is a readable introspection on what science is and how it is done.

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Book review – Anti-Science and the Assault on Democracy: Defending Reason in a Free Society

Long-term readers of this blog will be aware that the proliferation of pseudoscience and anti-scientific sentiments disturb me deeply. As someone with a scientific training, my concerns are foremost academic. But as the contributors to this edited collection wish to show, these anti-intellectual trends also impact democracy. This is perhaps nowhere more pronounced than in the USA and Anti-Science and the Assault on Democracy is therefore appropriately US-centric. It is also rather academic and scholarly in tone, more so than other works aimed at a general audience.

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