In the field of palaeoanthropology, one name keeps turning up: the Leakey dynasty. Since Louis Leakey’s first excavations in 1926, three generations of this family have been involved in anthropological research in East Africa. In this captivating memoir, Meave, a second-generation Leakey, reflects on a lifetime of fieldwork and research and provides an inspirational blueprint for what women can achieve in science.
When thinking of human ancestors, the name “Lucy” will likely come to mind. But a dedicated team of scientists spent decades labouring on the discovery of a species more than a million years older still, at 4.4 million years of age. Nicknamed “Ardi” and classified as Ardipithecus ramidus, it was finally revealed to the world in 2009. For a full decade, journalist Kermit Pattison immersed himself in the story of Ardi’s discovery to bring to life both the science and the scientists. The resulting Fossil Men is an incredibly well-researched book that tells the definitive insider’s story of how one of the most divisive fossils in palaeoanthropology was discovered by one of its most divisive characters: Tim White.
If you ever visited the Smithsonian Museum of Natural History in Washington D.C. sometime before 2015 and visited their fossil hall, you will have come face to face with a series of six large murals by palaeoartist Jay Matternes, showing different stages in the evolution of mammals. For nearly five decades, these were part of various exhibits until they were dismantled in 2014-2015. Unfortunately, I have never had the opportunity to visit the museum. But, luckily for me, Smithsonian Books has now published Visions of Lost Worlds, a beautifully produced love letter to Matternes’s palaeoart. Written by the museum’s Curator of Dinosauria Matthew T. Carano and director Kirk R. Johnson, in close collaboration with Matternes himself, this large-format art book offers an unparalleled look at these murals and the artistic process of making them.