When it comes to modern palaeoartists, Mark Witton has become a leading light in my opinion. Next to bringing a background as a professional palaeontologist to his artwork, he also wrote The Palaeoartist’s Handbook, which is a unique resource for this field as far as I can tell. Who could be better suited to produce a homage and sequel to one of the most iconic palaeoart books of all times: Knight’s Life through the Ages?
If you ever visited the Smithsonian Museum of Natural History in Washington D.C. sometime before 2015 and visited their fossil hall, you will have come face to face with a series of six large murals by palaeoartist Jay Matternes, showing different stages in the evolution of mammals. For nearly five decades, these were part of various exhibits until they were dismantled in 2014-2015. Unfortunately, I have never had the opportunity to visit the museum. But, luckily for me, Smithsonian Books has now published Visions of Lost Worlds, a beautifully produced love letter to Matternes’s palaeoart. Written by the museum’s Curator of Dinosauria Matthew T. Carano and director Kirk R. Johnson, in close collaboration with Matternes himself, this large-format art book offers an unparalleled look at these murals and the artistic process of making them.
If you are interested in dinosaurs, the last two years have seen a slew of great books published, and there is more in the pipeline. The latest I am reviewing here is The Dinosaurs Rediscovered from the well-known British Professor of Vertebrate Palaeontology Michael J. Benton. With a huge number of possible topics you could write about, and an already saturated book market, Benton has set himself a very specific aim: to show how the science of palaeobiology has moved from a descriptive, speculative scientific discipline, to a hard, testable, rigorous one. In other words, given that palaeontologists nowadays regularly make some pretty amazing and precise claims about creatures long extinct, how, exactly, do they know that?
Not so long ago, the idea that giant reptiles once roamed the earth was novel, unbelievable to some, but their reign represents only one part of deep time. Go back further in time, to the Carboniferous (358.9 to 298.9 million years ago), and you will find a world of giants as bizarre and otherworldly as the dinosaurs must have once seemed to us. A world where clubmoss trees grew up to 50 metres tall, with scorpions as large as dogs and flying insects the size of seagulls. With Carboniferous Giants and Mass Extinction, palaeobiologist George McGhee, Jr. presents a scholarly but fascinating overview of the rise and fall of this lost world, and why it still matters to us.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Given that dinosaurs are no longer around, everything you think you know about what they look like comes from illustrations, models, movies, and merchandise. But how much of this is actually accurate, and how much of it is rather geared towards appealing to our sensibilities? Mark Witton is a man with a mission: to elevate the genre of palaeoartistry to one depicting scientifically accurate renditions, based on informed speculation and careful study of fossils and anatomy. Rather than a book that shows you how to draw a dinosaur, The Palaeoartist’s Handbook is a fantastically useful primer for both aficionados and budding artists into what actually can and should go into making good palaeoart.
Before plate tectonics became an accepted idea in geology, Lyell’s doctrine of uniformitarianism still ruled supreme (see my review of Cataclysms: A New Geology for the Twenty-First Century for a short introduction). A corollary was that the continents supposedly had always been where they are now. One observation scholars had to explain away was that the same fossils occur on both sides of the various oceans. Looking at maps, some people noticed the thin strip of land connecting North and South America and concluded that land bridges must have formed and sunk beneath the waves at just the right times in history to enable migrations (see Four Revolutions in the Earth Sciences: From Heresy to Truth for more details). As explained in The Tectonic Plates are Moving!, we know better nowadays. Nevertheless, the concept of land bridges is still alive and well today, and palaeobotanist Alan Graham here introduces five of them, exploring their effects on biogeography, climate, and human history.
This book is an example of what happens when you go down rabbit holes. I have been reading several books on the subject of palaeontology and geology lately, and I know that the face of the earth has shifted over the hundreds of millions of years of deep history covered in these books. But where were all the continents at different times? Many will have seen the iconic maps of the supercontinent Pangaea. But I want to know more. What happened in between? And before? As Nield tells in Supercontinent: 10 Billion Years in the Life of Our Planet, Pangaea was only one of several such supercontinents in Earth’s history. But I want to know more still. Where exactly were the continents located? And how did they move? Several accessible books have provided snapshots of iconic moments, such as the formation of the Himalayas (Mike Searle’s Colliding Continents: A Geological Exploration of the Himalaya, Karakoram, & Tibet) or the disappearance of the Tethys ocean (Dorrik Stow’s Vanished Ocean: How Tethys Reshaped the World). But I want to know more! This technical reference work contains lots of fantastic palaeogeographical maps that answered all my questions.
Fire is a force of nature that both fascinates and frightens. Large wildfires around the world seem to be on the rise and are a cause of concern due to the risk to lives and property. But fire also is an essential part of the workings of our planet that pre-dates humans by a long time. How long? For the last 40 years, geologist and palaeobotanist Andrew C. Scott has researched plant remains in the fossil record that have been preserved by fire in the form of fossil charcoal. In Burning Planet, he takes you on a 400-million-year deep-history tour of fire and how it has shaped our planet.