The Scottish wildcat is one of Britain’s most threatened wild mammals. Legend and lore tell of a fierce animal capable of taking down a man if cornered. Once common, only a small remnant population survives in the Highlands of Scotland and now faces the unlikely threat of genetic dilution by hybridisation. Tracking the Highland Tiger sees nature writer Marianne Taylor go in search of this mysterious cat. But it quickly becomes apparent that the book’s title can be interpreted on several levels.
This is a travelogue the likes of which you do not find often. It tells of historian David Gange’s audacious journey, kayaking the length of the Atlantic coast of the British Isles over the course of a year. His motivation was to challenge established historical narratives that tend to be land-centric and focused on big cities. Wishing to become a more rounded and responsible historian, he literally immersed himself in a different perspective. The Frayed Atlantic Edge seeks to salvage the histories of coastal and island communities and show they have played a far larger role in British history than they are normally given credit for.
These three tasks, so says nature writer Robert Macfarlane, signify our relationship with the world beneath our feet, both across time and across cultures. Underland is his lyrical exploration of underground spaces where people have sought shelter from warfare or hidden valuable treasures, are extracting minerals in mines or knowledge in research facilities, or are looking to dispose of waste. It is one of two big books published only five months apart on the subterranean realm, the other being Will Hunt’s Underground: A Human History of the Worlds Beneath Our Feet which I will be reviewing next. But first, Underland.
I have only ever seen Greenland once while flying over it on my way to a conference in Alaska. But geologist William E. Glassley has spent several field seasons together with two fellow geologists working in this rugged landscape, uncovering its geological secrets. This slim volume describes their work, but more prominently, it is a rhapsodic tribute to Earth’s wild places and the transformative experience of finding yourself far away from civilisation. I had not heard of Bellevue Literary Press before, but they aim to publish books at the intersection of art and science, and I would argue this book fits the bill well.