Where do humanity’s evolutionary roots lie? The answer has long been “in Africa”, but this idea is being challenged from various sides. I previously reviewed Begun’s The Real Planet of the Apes as a warming-up exercise before delving into this book. My conclusion was that its discussion of archaic ape evolution, although proposing that species moved back and forth between Africa and Eurasia, ultimately did not really challenge the Out of Africa hypothesis. Not so Ancient Bones. German palaeontologist Madeleine Böhme, With the help of two co-authors, journalists Rüdiger Braun and Florian Breier, firmly challenges the established narrative in an intriguing book that is as outspoken as it is readable.
The history of human evolution has become firmly wedded to the Out of Africa hypothesis: the idea that we evolved in Africa and from there spread around the world. Back in 2015, palaeoanthropologist David R. Begun gave the proverbial tree of life a firm shake with The Real Planet of the Apes, making the case that the picture is a bit more complicated than that. Providing an incredibly well-written overview of the deep evolutionary history of great apes and humans, an interesting picture emerges of species moving into and out of Africa over time. Some reviewers hailed it as provocative – but is it really?
When it comes to modern palaeoartists, Mark Witton has become a leading light in my opinion. Next to bringing a background as a professional palaeontologist to his artwork, he also wrote The Palaeoartist’s Handbook, which is a unique resource for this field as far as I can tell. Who could be better suited to produce a homage and sequel to one of the most iconic palaeoart books of all times: Knight’s Life through the Ages?
If you ever visited the Smithsonian Museum of Natural History in Washington D.C. sometime before 2015 and visited their fossil hall, you will have come face to face with a series of six large murals by palaeoartist Jay Matternes, showing different stages in the evolution of mammals. For nearly five decades, these were part of various exhibits until they were dismantled in 2014-2015. Unfortunately, I have never had the opportunity to visit the museum. But, luckily for me, Smithsonian Books has now published Visions of Lost Worlds, a beautifully produced love letter to Matternes’s palaeoart. Written by the museum’s Curator of Dinosauria Matthew T. Carano and director Kirk R. Johnson, in close collaboration with Matternes himself, this large-format art book offers an unparalleled look at these murals and the artistic process of making them.