Do animals experience joy, grief, or shame? Most people will be quick to attribute all sorts of emotions to pets and other animals. But many biologists remain uncomfortable with this, well, touchy-feely subject. As scientists, we are trained to be objective, cool, and detached when making observations. Anthropomorphism – the attribution of human traits to animals – has traditionally been a big no-no. But the tide is turning, and well-known Dutch-American primatologist Frans de Waal is here to help it along. Mama’s Last Hug is a smart, opinionated, and insightful book arguing we have long overestimated humans and underestimated animals.
In popular discourse, the theory of evolution has become a victim of its own success, reduced to sound-bites such as “survival of the fittest”. Biologists will of course quickly point out that this is an oversimplification, though philosopher Daniel S. Milo takes things a few steps further. Good Enough is a thought-provoking critique of the dominance of adaptationist explanations. He argues that, while natural selection is important, it is not the only, possibly not even the default mechanism, in evolution. No, Milo claims, the mediocre also survive and thrive.
Over something as mundane as the tone of one’s skin humans have been inflicting intense grief and misery upon each other for centuries. And when biology and anthropology arose as scientific disciplines, they were brought into the fold to justify subjugation, exploitation, and slavery. With Superior: The Return of Race Science, journalist Angela Saini has written a combative and readable critique of race science that seems to be rearing its ugly head again. But in her fervour, does she take it too far to the other extreme?
When I picked up The Tales Teeth Tell, the first thing I thought was: “Another book on fossil teeth?” After reviewing Ungar’s Evolution’s Bite: A Story of Teeth, Diet, and Human Origins in 2017 I was worried this might be more of the same. Was I ever wrong! Professor in human evolutionary biology Tanya M. Smith here shows there is a lot more to say about human teeth and their evolution.
Origins asks one question: how did the Earth make us? More accurately, like a six-year-old whose curiosity cannot be sated, there lies a series of recursive “why” questions at the heart of this book. Astrobiologist and science communicator Lewis Dartnell takes a big history look at human evolution and especially civilization, seeing how far down the explanatory rabbit hole he can go. Time and again, he grounds his answers in geology and geography. You would be forgiven for thinking this sounds like what Jared Diamond attempted more than two decades ago, but calling it Diamond-redux would not do it justice.
Why, of all the species that have ever existed, have only us humans reached this unparalleled level of intelligence and social organisation? When a senior scientist such as Edward O. Wilson trains his mind on such a question, you hope to be in for a treat.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Humans. How is it that you can herd 200 of them into an aeroplane without a riot erupting, while they also commit unspeakable atrocities such as torture, genocide, and war? Anthropologist Richard Wrangham calls it the goodness paradox. In this well-reasoned book, he surveys research from a range of disciplines to try and answer why humans show this odd combination of intense calm in normal social interactions and a ready willingness to kill under certain other circumstances.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.