“It is worse, much worse, thank you think”. With these ominous words, David Wallace-Wells, deputy editor at New York magazine, starts his no-holds-barred story of climate catastrophe. Pulling together worst-case scenario predictions, he is hell-bent on scaring the living daylight out of his readers by sketching the manifold crises that loom in our near future if we let climate change develop unchecked. He proves a poetic agitator and I admire his outspokenness – I don’t think he is alarmist, but simply saying what many scientist are silently thinking. Whether this divisive approach is helpful is another question, and one for which he has been criticised. It is a price Wallace-Wells is willing to pay, because he thinks most people are not scared enough.
Humans. How is it that you can herd 200 of them into an aeroplane without a riot erupting, while they also commit unspeakable atrocities such as torture, genocide, and war? Anthropologist Richard Wrangham calls it the goodness paradox. In this well-reasoned book, he surveys research from a range of disciplines to try and answer why humans show this odd combination of intense calm in normal social interactions and a ready willingness to kill under certain other circumstances.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
One fond memory I have of studying biology at Leiden University in the Netherlands was a behind-the-scenes tour for first-year students at the then brand new location of Naturalis Biodiversity Center. This included a tour of the main tower housing the scientific collection normally off-limits to the general public. This is the domain of the museum curator, but their work involves much more than spending time amidst storage cabinets. To get a good idea just how diverse this job is, look no further than this lively and beautifully presented memoir. Here, Lance Grande tells of his career of more than thirty years as a curator at the Field Museum in Chicago.
In the minds of most people, the words “Ice Age” will invoke images of mammoths and sabertooth tigers. But historians use the phrase “Little Ice Age” to refer to a particular period in recent history when average temperatures dropped for a few centuries. The impact this had on societies was tremendous. In Nature’s Mutiny, originally published in German and here translated by the author, historian Philipp Blom charts the transformations that resulted and shaped today’s world. It is also one of the most evocative book titles I have seen this year.
Food and food production have become incredibly divisive topics. Industrialised agriculture exacts a heavy toll on our environment and a lot of the cheap, processed convenience food on supermarket shelves is not what you would call nutritious. But Toronto-based writer and journalist Rebecca Tucker is troubled by the response. A hazy conglomerate of “good food”, encompassing trendy phenomena such as farmers’ markets, locavorism, organic produce, and whole foods is being pushed as the only pathway to sustainable salvation. In this short book, she pulls no punches and roundly criticises the guilt-tripping, moralising, fanatical side of the foodie movement, while also exploring some alternatives. And it’s about time, because, as she shows, feeling good is not the same as doing good.
It is tempting to start this review with a nod to Monty Python’s Philosopher’s Drinking Song. But there is a dark side to our use and especially abuse of alcohol, lethal traffic accidents being just one of them. Why are we so enamoured with our booze? With The Drunken Monkey, Professor of Integrative Biology Robert Dudley puts forward the idea that it is linked to the dietary preferences of our primate ancestors who used alcohol as a cue to identify ripe fruit. Is this another evolutionary just-so story?
“A series of glasses with transparent liquids is in front of you, but which will quench your thirst and which will kill you?” Thus asks the dust jacket of Liquid of the reader. In this imagined game of liquid Russian roulette, one glass will get you drunk (vodka), the other kills you (kerosene), while a third will bring you no harm (water). But why? In Liquid, materials scientist Mark Miodownik takes an amusing romp through the chemistry and physics of the liquids of our everyday life.
How did we get here? It’s a simple question, but as all parents will affirm, the simplest questions can have the most complicated answers. With Quarks to Culture, Tyler Volk, a professor in biology and environmental studies, looks at our human culture and goes all the way back to the beginning (yes, the very beginning) to ask: “Is there a pattern here?”. What follows is a book that should be taken as a spirited thought experiment.
Communicating the complexities and abstractions of scientific findings is not easy. Anyone who has ever slogged through yet another dense paper or muddled presentation will acknowledge this. Our universe, it seems, cares not for the human quest of understanding it. One of the things, then, that makes popular science books such a treat is that they infuse scientific findings and speculation with a certain lyricism and good storytelling. This is why we flock to authors such as Nick Lane, Richard Dawkins, Richard Fortey, and many others besides. This is why Richard Feynman and Carl Sagan remain household names decades after their death. The latter’s Pale Blue Dot segment still gives me goosebumps. With Evolutions: Fifteen Myths That Explain Our World, science historian Oren Harman boldly turns the concept on its head: rather than bringing poetic flair to a pop-science book, he brings scientific flair to an epic poem.